Mexican Summer 
2014 Year-End Accolades
Weyes Blood’s single “Hang On” from her critically acclaimed album The Innocents made The FADER’s Best Tracks of 2014.
The Vinyl Factory ranked Linda Perhacs’ psych-folk opus Parallelograms fourth in their Top 30 Vinyl Reissues of 2014.
Pitchfork chose Rob Carmichael / SEEN Studio‘s artwork for Peter Matthew Bauer’s album Liberation! for their list of Best Album Covers of 2014.
Quilt’s album Held In Splendor was one of Bob Boilen’s (of NPR All Songs Considered) Best Albums of 2014.
Ebru Yildiz‘s photograph of Connan Mockasin at FYF Fest was featured in Pitchfork’s Year in Photos.
Inverted Audio ranked Tallesen‘s “Strike Silver, Love Green“#3 in their Top Tracks of November.
“DARPA” by Napolian and “Strike Silver, Love Green” by Tallesen came in at #100 and #92, respectively, in Gorilla Vs Bear’s Top Songs of 2014.
Aquarium Drunkard named Quilt’s Held In Splendor, Robert Lester Folsom’s Music And Dreams and Ode To A Rainy Day, Viet Cong’s “Cassette”, and Ashrae Fax’s Never Really Been Into It to their 2014 Year In Review.
Impose names Software Recording Co. one of the best labels of 2014.
The L Magazine dubs Viet Cong’s “Cassette” as one of the 20 best albums of 2014.
Loud and Quiet highlights Suicideyear’s Remembrance at #8, Quilt’s Held In Splendor at #18, and Weyes Blood’s The Innocents at #27 on their albums of the year list.
GABI‘s “Koo Koo” cracks Pitchfork’s Contributors’ Top 10s via Philip Sherburne.
La Hell Gang’s album Thru Me Again ranks #42 of Resident’s Records of the Year and #85 of Picadilly’s Records of the Year.
Napolian’s debut album Incursio comes in at #50 in Norman Records’ Top 50 of 2014.
